Showing posts with label Josephine Baker. Show all posts
Showing posts with label Josephine Baker. Show all posts

Tuesday, 7 March 2017

Queued Penguins

Perving at the upcoming Penguin Classics has revealed a bunch of things I will need to spend money on, and a few things worthy of comment here. First of all, an apparently random trio of upcoming titles have a completely new series design, for no reason I can yet determine. I like it, but don't understand what's happening.




  

 

There's also a welcome addition of more weird/horror fiction to the line, both American and Filipino.




We also have another ofBassani's Romanzo di Ferrara books, getting us closer to having the whole cycle in print in English...

..and using a cover image last seen on the late, lamented Harvill edition of Erwin Mortier's My Fellow Skin.



And then we have Ishmael Reed's Mumbo Jumbo, which is a welcome addition to the library of books featuring Josephine Baker on the cover.



Here are some of the other upcoming offerings worth your consideration.

Thursday, 19 June 2008

The Bananas and the Books


Like Louise Brooks, Josephine Baker was a talented and beautiful Jazz Age American performer who found herself much more comfortable in Europe. In Paris she was a jazz singer and dancer, famed for her performances wearing a skirt of bananas and not much else.

Here she was captured in lithography by the talented graphic designer Paul Colin, who, like Georges Simenon, became her lover.



I was inspired to write about her here by seeing that same lithograph used as the cover for John Fuller's forthcoming book of poems, Song & Dance...



..which reminded me that Baker was also on the hardcover of Umberto Eco's recent illustrated novel, The Mysterious Flame of Queen Loana.



Baker has been on a lot of other book covers. Book designers have undoubtedly been aided by the profusion of eye-catching portraits of Baker. Many of these images are on autobiographies and biographies, of course...







..while others are studies of her milieu.



You can see from some of the covers above that, as with Louise Brooks, Baker was still easily recognised even when reduced to a few major distinctive features (the hair and the grin).