Showing posts with label Alexei Kondratyevich Savrasov. Show all posts
Showing posts with label Alexei Kondratyevich Savrasov. Show all posts

Sunday, 31 May 2009

More Rooks!

Recently I commented on the fact that Oneworld Classics' forthcoming new edition of Ivan Bunin's The Village would have the same cover image as a number of other great Russian works. Someone at Oneworld must have realised the same thing, as at the last minute it got a new cover:



However, never fear! My point still stands, as here are another five books, all with 'The Rooks Have Come Back' by Alexei Kondratyevich Savrasov as the cover image (plus the two in the original post, for a grand total of seven). (For added inter-connectedness of things, the Dover Dead Souls makes use of a typeface based on the work of Edward Gorey.)







At around the same time, we also looked at the proliferation of deepaks on book covers, as drawn to my attention by KevinfromCanada. One of the covers discussed was Kim Echlin's The Disappeared, which I now discover shares a cover with a travel book by Ilija Trojanow.


Wednesday, 1 April 2009

The Rooks Have Come Back, Again

Three recent editions of great books by great Russian writers; one cover image.





The painting is the atmospheric 'The Rooks Have Come Back' (sometimes called 'The Flight of the Crows') by Alexei Kondratyevich Savrasov. (Click for a much bigger version.)



You can see that by tweaking the colour values towards the yellow and away from the blue, the Oxford Chekhov book gets a much more sunny feel: you wouldn't know at first glance that there was snow on the ground.

Savrasov (1830-1897) lived the stereotype of the Russian artist's life: commercial family background, early promise, European travel, success and fame, alcoholism, failure, penury, lonely death, only one mourner at the funeral. A collection of his moody, human-free landscapes is online here.

As for the three books: Ivan Bunin is somewhat neglected these days, but his short stories and novellas are wonderful (though best not read en masse, as they all tend to end in the same way); Turgenev is fantastic at bringing together a small community of disparate characters, often related in various complicated ways, and setting them loose on one another; and Chekhov is still THE short story writer to beat. You can't go wrong with any of them.